The Strangers Within

The Strangers Within, an award-winning graduate animation, honored at the International White Rose Film Festival 2025, follows Shinobu, an overworked businessman caught between fading memories and a present he can barely hold. What begins as a quiet moment of reflection quickly spirals into a surreal journey through distorted recollections and faceless figures, as Shinobu struggles to reclaim his identity, seek connection, and find a path toward healing.

The Strangers Within — Original Cut

About The Strangers Within

This project was a true test of my adaptability and passion for animation. Working largely independently, I handled every stage of production: from previsualization to post-processing while learning new tools and techniques along the way. Motion capture, a new process for me at the time, became a central part of the workflow, with my actor and friend Adrian helping bring emotional realism to the characters. Though the project faced challenges, from reworking the concept to meet tight timelines to navigating technical setbacks, I managed to preserve the core heart and intent of the story.

Music played a vital role in setting the film’s atmosphere. The original score perfectly captured the dreamlike tone I envisioned; however, due to copyright constraints, I created a second version featuring royalty-free music while maintaining the same emotional resonance and pacing.

The Strangers Within follows Shinobu, a Japanese salaryman trapped in isolation, struggling with fractured memories and buried guilt. Sitting unnoticed on a city bench, he flips through his journal, where a crumpled childhood photo and small sketches hint at his lost creativity and longing for connection. A tiny flower growing through concrete catches his attention, reflecting both fragility and resilience, a mirror for his own existence.

Suddenly, reality fractures. Faceless figures from Japanese folklore, the noppera-bō, appear, blurring the line between dream and waking life. An encounter with a childhood acquaintance, Kiki, reveals her as one such faceless entity, plunging Shinobu into panic and a surreal descent through shifting, labyrinthine landscapes.

In the dreamlike desert, Shinobu encounters MAMA, a grotesque manifestation of his mother. Shinobu’s confrontation with MAMA forces him to confront his own guilt, fear, and longing for connection. As the surreal world fractures around him, Shinobu faces a final, harrowing transformation, becoming faceless himself before reclaiming his identity. He awakens back on the bench, disoriented but resolute. Clutching his journal, he reaches for his phone, making a small but meaningful step toward reconnecting with his family marking the beginning of healing and self-acceptance.

Shinobu Watanabe

Shinobu, the protagonist of The Strangers Within, is a reserved Japanese salaryman whose life is defined by routine, quiet introspection, and the weight of unspoken emotions. Haunted by the gradual separation of his parents, the loss of his hometown he navigates the pressures of modern life with stoicism, and a deep desire for peace. His introverted nature and difficulty expressing emotions create both resilience and isolation, making him a deeply relatable figure.

Motivated by a longing for connection, recognition, and a meaningful existence, Shinobu struggles against the fear of being unloved, alone, or constrained by societal expectations. He internalizes stress, avoids conflict, and channels frustration into meticulous routines, maintaining a composed exterior while grappling with intense internal conflict.

Physically, Shinobu is lean and understated, moving with careful deliberation, his posture slightly slouched as if to make himself smaller in the world. His appearance; neatly styled hair, business-casual attire, and hands callused from private craftwork reflects both conformity and the quiet passions he preserves for himself.

Shinobu’s journey begins in the familiar rhythms of work life but transforms into a surreal descent into his subconscious, where faceless spirits and manifestations of memory and guilt force him to confront his fears, regrets, and suppressed desires. Through these encounters, he is challenged to examine his identity, confront vulnerability, and seek authentic connection. By the story’s end, Shinobu chooses to embrace his individuality, moving toward self-acceptance and genuine relationships.

As a protagonist, Shinobu embodies the struggle between conformity and self-expression, offering audiences a lens into the universal human experience of emotional repression, longing for belonging, and the courage required to reclaim one’s authentic self.

MAMA

The narrative unfolds as a descent into Shinobu’s inner world where haunting encounters reflect his longing for belonging; his strained relationship with his parents; and his buried sense of self. One of the most symbolic sequences takes place in a surreal desert where a motherly figure embodies generational pain and emotional inheritance.

After Shinobu’s birth, his mother’s artistic dreams faded under the demands of family life. Though she cherished moments with her son, her unfulfilled ambitions created emotional distance, leaving her torn between love, duty, and personal longing. 

In Shinobu’s subconscious, this inner turmoil takes form as a grotesque manifestation; a monstrous creature shaped like a tangled, human-like caterpillar, struggling to move yet forever circling. Known only as MAMA, she is trapped in a haunting, endless loop. Her limbs twist unnaturally, joints bending at impossible angles; her spine arches and creaks with each laboured movement, giving her an insect-like frailty.

MAMA’s once gentle eyes are now hollow and vacant, reflecting the void of her imprisonment. Around and around she crawls, each agonized motion mirroring her eternal grief, a mother once full of warmth and tenderness, now consumed by her pain. Every effort to pull her body forward is both a struggle for freedom and a silent cry that no one hears.

Awards & Recognitions

  • I won Best Animation at the International White Rose Film Festival 2025, an annual celebration of global filmmaking held in Harrogate, Yorkshire, UK.

    The festival stands out for its unique structure, running across five competitive blocks throughout the year, with winners from each round advancing to a live final screening event. Finalists are showcased during a week-long celebration of film, creativity, and storytelling in the heart of Yorkshire.

    Winning this award was an incredible honor, recognizing The Strangers Within among outstanding international works for its emotional depth, visual storytelling, and exploration of identity through surreal animation.

  • At the University of Bradford, within the School of Built Environment, Architecture, and Creative Industries, Faculty of Engineering and Digital Technologies, I received the Creative Industries Prize for the best individual project for my animation, which served as my final project. This award is given to students who achieve the highest mark of over 69% in a project production module worth at least 40 credits.

  • Pratigya Rai/ RaiHaus

    WRITER / DIRECTOR / ANIMATOR / SOUND DESIGNER/ VIDEO EDITOR

    It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more.

  • Adrian Lewandowski

    MOTION-CAPTURE ACTOR

    Adrian, a close friend from university, volunteered to help with the project. Despite having no prior acting experience, he captured my character flawlessly; his natural delivery brought an authenticity and sincerity that perfectly reflected the protagonist.

  • Ko Takehiro

    VOICE ACTOR

    Ko Takehiro is an experienced voice actor and narrator with 14 years of professional work, including time with a major talent agency. Currently active as a freelance voice actor and narrator, Ko has contributed to a wide range of projects across commercials, documentaries, corporate presentations, and web content. Notable work includes narration for: Softbank CM, Discovery Channel, National Geographic, Columbia Incandescent Class, Mitsubishi experimental sound sources, AEON CM, TUTAYA CM, Suntory presentations, web comics, and Ikebukuro West Gate Park. .